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The Creature From The Black Lagoon Navigation menu VideoEverything you need to know about Creature from the Black Lagoon (1954)
The last known surviving member of a race of amphibious humanoids which flourished during the Devonian age, the Gill-man as christened by Dr.
Thompson dwelled in a lagoon located in a largely unexplored area of the Amazon rainforest. The creature was apparently known to the natives, as the captain of the boat Rita mentioned local legends of a "man-fish".
After having found the fossilized remains of another Gill-man, a marine biology institute funds an expedition to the Amazon in order to find more remains.
Though the Gill-man reacts violently to the intrusion, he develops a soft spot for the team's only female member, Kay, and repeatedly tries to abduct her, going as far as building a makeshift dam to prevent their boat from escaping.
After having killed numerous members of the expedition, the Gill-man takes Kay to his underwater lair, where he is tracked down by the remaining survivors and riddled with bullets.
The Gill-man tries to escape by swimming deep into the lagoon, but dies from his injuries. A year after the events of the first film, the Gill-man is shown to have survived and is captured by different scientists.
He is sent to the Ocean Harbor Oceanarium in Florida , and quickly becomes a huge tourist attraction. He is studied by an animal psychologist and his ichthyology student.
The psychologist's attempts at communicating with the Gill-man are hampered by his attraction to his student. The Gill-man breaks free from his tank and escapes into the ocean.
It is not long before he begins stalking the ichthyology student and kidnaps her at a boat party. The Gill-man is soon tracked down by police and again gets shot multiple times, forcing him to flee into the ocean.
Either way they need to act fast as the creature has taken a fancy to Kay, the sole female member of the expedition group.
However, unlike many of those film's that were made in the format over those two years, this one has rightly managed to break away from its gimmicky beginnings to become regarded as a genre classic.
There are many reasons why it is still well regarded and taken in appreciatively by newcomers. But much like Kong, Arnold's movie thrives within the endearing story by getting the audience to sympathise with the titular creature.
He is after all only defending his territory, he was happy wallowing down in the depths, remaining undiscovered for many a moon.
That he is fascinated by the considerable beauty of Kay Lawrence Adams sexy and gorgeous , is no crime either. The amount of sympathy garnered for "Gill-Man" is helped enormously by the illogical actions of the humans; who in turn go diving and swimming where legend has it men get eaten!
This coupled with their bickering about pro science or trophy hunting makes it easy to side with the amphibious one. It also helps that the film is pretty brisk and only runs for 80 minutes, there's no sags or pointless filler.
Too many similar film's of its ilk labour until the monster shows up and all hell then breaks loose. And when the creature finally reveals itself it doesn't disappoint for its an impressive creation.
It also has great characteristics with a distinctive swimming style in the water, and a lumbering Frankenstein thing going on when on the land.
A definitive monster that would be merchandised for ever after. There's also technical accomplishments away from the creature itself, notably with the memorable underwater photography by Snyder, who uses a portable camera to flow with the swimming sequences, while his shadow and light work down in the depths is memorably mood enhancing.
The three tiered score is also one of the best to feature in a "B" movie schlocker, three different composers, three different emotional strands; nice.
Then there's of course the definitive sequence, the sexy underwater flirting as "Gill-Man" swims below the shapely form of Kay, beguiled by her, it's love at first sight.
The unsuspecting maiden Will be clutched from where she sleeps And taken away to a home down under The water and that's for keeps. Eisner was inspired to shoot on location by Fitzcarraldo , and the boat set has been built.
Eisner continued to rewrite the script, which will be a summer blockbuster full of "action and excitement, but [still] scary".
The director said the design was "very faithful to the original, but updated", and that the Gill-man will still be sympathetic.
The movie has an enduring legacy in both media and the general public. A musical based on the movie opened at Universal Studios Hollywood in late June It has also been widely referenced, in part due to its groundbreaking character, in other media.
In fact, many movies featuring monsters put a Gill-man likeness in the background as homage. He tells a guy that he prefers the lagoon to be called the "African-American Lagoon.
The creature decides to make his own cereal called "Creature with the Black Macaroons" because macaroon sounds like lagoon; however, the cereal wasn't successful and when all the cereals were dumped into his lagoon, he says "I should've gone with legumes", as legume also sounds like lagoon.
Its likeness was also used for the film The Monster Squad. However, due to licensing issues with Universal, the creature is referred to as "Gill-Man.
Monroe expresses some sympathy for the creature, saying that it was not really bad and "just wanted to be loved".
The creature plays a brief cameo emerging from lake Springfield in the Simpsons in the 10th episode of Season Flash" , and released in by Midway under the Bally brand name.
This game has a retro s drive-in theme. Completing side missions in the pinball game causes the screen to display "Universal Presents Creature from the Black Lagoon," and then requires the player to chase after the monster just like in the film.
You gather everyone together in one area, build stable homes, create a centralized food supply, a sanitation system, public hygiene, education and transportation, health care, and fire departments.
Trick is, though, that if you want to be a part of it, you have to agree to bury all your natural impulses. No, that would be an admission of defeat.
Unthinking angry mobs, stupid violent yahoos, and sinister government forces are standard issue in sci-fi and monster movies. The Gill Man, this deeply tragic and alienated character, the one who remains much more a victim throughout all three films than any of the puny humans he kills, is the one who maintains his dignity to the end, marching into the sea like James Mason in A Star is Born.
In an interesting but irrelevant footnote, in , John Landis was pushing Universal to let him produce a big budget remake of Creature from the Black Lagoon.
He already had Rick Baker signed and ready to do the makeup that would have been based almost bump for bump on the original Gill Man design.
The great Nigel Kneale had agreed to write the script. There was even talk about bringing Jack Arnold who was only in his 60s at the time back to direct.
Sure, it all sounded really exciting and classy, but the studio decided to throw all their money behind Jaws 3D instead.
It was an ironic move, considering not only how much the opening scenes of Jaws owed to the original, but also considering how much Jaws 3D itself owed to Revenge of the Creature , from the Marine Park setting to the 3D release.
The scientists decide to risk it, unaware that the amphibious "Gill-man" that killed Carl's assistants has been watching them. Taking notice of the beautiful Kay, the creature follows the Rita all the way downriver to the Black Lagoon.
Once the expedition arrives, David and Mark go diving to collect rock samples from the lagoon floor. After they return, Kay goes swimming and is stalked underwater by the Gill-man, who then gets briefly caught in one of the ship's drag lines.
Although it escapes, the Creature leaves a claw behind in the net, revealing its existence. Subsequent encounters with the Gill-man claim the lives of Lucas's crew members, before the Creature is captured and locked in a cage aboard the Rita.
It escapes during the night, attacking Edwin, who was guarding it. Kay smashes the Creature with a lantern, driving it off, but Edwin is severely injured.
Following this incident, David decides they should return to civilization. Mark, obsessed with capturing or killing the Creature, objects.
As the Rita tries to leave, they find the Gill-man has blocked the lagoon's entrance with fallen logs. While the others attempt to remove the logs, Mark is mauled to death while trying to capture the Creature single-handed under water.
The Gill-man then abducts Kay and takes her to its cavern lair. David, Lucas and Carl chase after the Creature and Kay is ultimately rescued.
The Creature is riddled with bullets before retreating to the lagoon, where its body sinks into the watery depths. Producer William Alland was attending a dinner party during the filming of Citizen Kane in which he played the reporter Thompson when Mexican cinematographer Gabriel Figueroa told him about the myth of a race of half-fish, half-human creatures in the Amazon River.
Alland wrote story notes titled "The Sea Monster" 10 years later, using Beauty and the Beast as inspiration.
Following the success of the 3D film House of Wax in , Jack Arnold was hired to direct the film in the same format.
The designer of the approved Gill-man was Disney animator Milicent Patrick , though her role was deliberately downplayed by make-up artist Bud Westmore , who for half a century received sole credit for the creature's conception.
Ben Chapman portrayed the Gill-man for the majority of the scenes shot at Universal City, California. Many of the on-water scenes were filmed at Rice Creek near Palatka, Florida.
The costume made sitting impossible for Chapman for the 14 hours of each day that he wore it and it overheated easily. Due to these difficulties, Chapman often stayed in the studio's back-lot lake, frequently requesting to be hosed down.
He also could not see very well while wearing the headpiece, which caused him to scrape Julie Adams' head against the wall when carrying her in the grotto scenes.
Ricou Browning played the Gill-man in the underwater shots, which were filmed by the second unit in Wakulla Springs , Florida. Leonard Maltin awarded the film three out of a possible four stars, writing, "Archetypal '50s monster movie has been copied so often that some of the edge is gone, but3/8/ · Watch Creature from the Black Lagoon on Amazon. Filmed for under $, and released in 3D (all that underwater photography made it perhaps the .